Basically, our project is about thinking. As I understand, we have to concentrate on meaning of the words and at the same time we should widen our mind trying to find alternative way of using them. It sounds hard for understanding, however, I had several ideas about the given words in advance. Actually, my words are fatalism, ink and fold. Thus, we went to the library to try to collect all the information we could find. After couple hours in the library, I have such a big mess in my brain. Almost all finds are such unexpected and I need to one or two most interesting ideas. I began to think about the fatalism. 

"Our young brothers who have a burning desire to help the religion of Allah with words and deeds can carry out graffiti attacks, that is, they paint Islamic slogans on the walls of houses and buildings, which will remind people of Allah, His religion and jihad." is said in an article from the online newspaper from December 2011.

However, true philosophers, philanthropists and fatalists do not cry out, what they have been hammered into since childhood. To begin with, they all analyze, read books, share their thoughts, write them down in ink, because The pen is mightier than the sword. Thus it can be said that the balloon is in the hands of a street artist, like a pen in the hands of a writer. They have equal force of impact.

Ink is a dyne of the most common materials in use. Most of them are use as a material for writing or drawing. However, not everyone knows how to handle ink properly, because, in my opinion, it created a story. We live in an era of electronics and began to forget all the power of ink, because all the decrees, laws, letters that have decreed the destiny of mankind were written exactly with ink. However, no one is immune from blotting. In the classic understanding of the blot, this is a mistake. Nevertheless, the blot can be regarded as a kind of a stroke, perhaps, even an outlet of emotions. A vivid representative can be Pollock, whose special manner is extremely expressive and having special a significance in contemporary art.  Firstly, he thought out the basic composition and concept and then he let the chance happen without knowing exactly how the paint would fall. As a conclusion, Pollock is also a fatalist.

To sum up, I think,that each of us is a little fatalist, even if we try to fight the circumstances. We can never know for sure what will be the end result of any kind of our activity. Let it be creating a new silhouette or just writing a letter.

I took inspiration from teamLab "Dark waves», because it it one of the most eye-catching esthetic installation and everybody can find something specific for theim selves in it. Moreover, the  piece of art made me think about identity through the seeing just our shadow reflection in the screen with the waves, which are like a style of life-up and down | lull or storm . The visual experience from other works in Frieze helped me to create my ideas as I was interested in how my expressions and emotions were hidden behind the headpiece, symbolising how we often bottle up emotions.

I feel film worked well in black and white as it allows the viewer to fell more the esthetic of the emotions i wanted to develop. I also feel that the music added a good dynamic to the film, because people can hear certain words that express the idea .

Into The Past NERO

Is this gonna be our end?
I can feel the light
Somewhere in the darkness
I'll follow you
I'll follow you

 I would develop my idea by creating more full video of images interesting angles next time.

Only in 1997, when the young, energetic Nicolas Gescière came to the post of creative director, Balenciaga House began to regain its former greatness. In general, before all three creative directors whose names have appeared on the pages of the House's history since then, there has been a fundamental choice - to develop the heritage, or it is indicative with it to break. Zheskier chose the first path. And it was right. It turned out that he built his whole concept of the Balenciaga brand around the key codes of Christobal himself: there is a rigid structural silhouette, and architectural forms, and futurism.

took recognizable Balenciaga silhouettes and connected them to street fashion. The compromise came out "good," but no one needed it. Not a revolution, not even a little scandal, Vang did not betray. That is why, as agreed later in the opinion of the criticism, Alexander Wang did not manage to stay in Balenciaga for a long time.

And his hopes were great. It would seem that sports street aesthetics, sharpened for commercial comfort, in a batch with the French couture had to give an explosive mixture. But it did not happen. It happened that Vang thinks commercially, and not conceptually. So he was released in peace. Well, no luck. And this we are not talking about talent and not about the ability to decipher the DNA of a brand. With this, Vanga is all right.

A new designer was chosen precisely for the revolution. Therefore, on the wave of the trend to seek out nameless talents, and not invite the untwisted star, the management was waiting for a surprise. Also have received. Demna Gvasalia came here just to shock. The only thing that exists between the sociologist Gvasalia, born in 1981 in the communist Georgia, caught up in the war, and the Spanish couturier Balenciaga, who opened his first Fashion House exactly one hundred years ago. And this single, but the most important, was more than enough. The spirit of the Berlin nightclubs burst into the studio of Balenciaga: the stories about life behind the iron curtain rang out, in the mornings the "Russian disco of the 80's" rumbled from the columns, and next to the archival photos of the ball dresses of the 1950s, images of the uniform of the catering attendants were posted on the mundobe. Of course, the absolute mastery of freedom that Gwasalia enjoys in the Vetements, he does not have in Balenciaga. But what he does, and without it, is more than radical. In this vein, compromise gestures such as the restored archival couture dresses of the founder, which Demna showed in February during the autumn-winter show on the occasion of the brand's centennial, against the background of other lawlessness look particularly touching.

Demna Gvasalia: Interestingly, most American online stores and department stores can not sell this print - it's too provocative. In general, this season was full of similar messages. It was a way to express your emotions! Everyone had a certain aggression, a lot of everything that was heavy, dark, unpleasant. And each of our team contributed. My bridges were. I know who this Fuck'n Asshole was ... By the way, all these slogans came from the network. Such a concept: all that we wanted to say, someone already said for us on the Internet. In Instagram, on Facebook - all these things we found somewhere. They spoke to us, but they were not our words.
GG: Maybe it's the dialogue of today's youth with us, with the global industry.

 Jean-Michel Basquiat is an American graffiti artist and neo-expressionist. His vivid style was developed largely under the influence of Picasso, Andy Warhol and abstract expressionists, as well as the work of street artists graffiti. The popularity of Basquiat and his paintings grew in 1988 after the death of the artist. 

The project exercise was to draw styled models in sketchbook using the mood of the music,trying different materials and technics. When I was drawing I tried to make sketches full of lines and color and express the type of fabric or the plot of the look by it. I remembered at once one of my favorite artists Edgar Degas, because my favouite matirial is pastel and use it mainly because of its colors and its pleasantness to the touch. Degas liked to depict people, especially women, but not posing in a frozen posture, but as if taken by surprise for their studies, in their characteristic poses, with their gestures. The artist drew the theme of the ballet in the 1870s. When portraying dancers, the artist tries to capture them not on the stage in all its splendor, no, he prefers to show us the labor behind-the-scenes everyday.From the 1870s, he was carried away by pastel, combining the qualities of painting and graphics at the same time. This technique suited the artistic tastes of Degas, who bowed before the line. "I'm a colorist through the line," he used to say. Impressionists also prayed to another god - the color.

After 1880, Degas almost constantly works pastel. In the 1880s the first series of works appeared - naked women at the toilet. The theme, to which the artist returned constantly, and which so shocked contemporaries Degas. Also a popular theme in Degas were horse racing. Drawing horse races, like dancing dancers or women behind the toilet, Degas followed his most important principle in creativity - this is the transfer of movement. Psychology of movement, harmony of lines and contour continuity. After 1890, Degas' work acquired some decorativeness. He used sharp colors and paid more attention to the surface of the picture, depicting the milliner, laundress, and dancers only schematically, reducing details to a minimum.

As we had to make the final outcome in group we decided to make a dress in gothic style. I liked the idea very much, however it was not in my way of thinking that day. This way, I offer an idea of capturing this look. The main idea of the our little photoshoot was the movement, as the reason for making it more impressionist style. Unfortunately it didn't work in color, so I supposed to change it in monochrome like at the exhibition. From that point it began to be in an appropriate style, but it didn't loose its impressionists esthetic.